Designing the regular marvel books is always enjoyable. Visual judgements involve a different part of the mind to writing, and when something works you can see it at once (literally). There’s a way to go, but as far as integration of words and images A Wider Horizon might be the happiest yet. Each book has explored the dialogue between ways of knowing differently. If none has been completely successful, to my mind, I feel they’re getting better.
That’s partly thanks to the work of Dave Everitt, old friend and multi-disciplinary artist, with whom I do the layout. His command of the software has saved me having to learn it but working with a sympathetic spirit is the key. The combination of being painstaking but not opinionated is precious and makes the working process a pleasure.
But if A Wider Horizon does work out, it will be because Rosie Redzia’s drawings of landscapes, people and performers tell their story so well. It’s not my story – that’s the point of her contribution – but we often saw the same things, together or separately, and have talked about them over the years of the project. The result is not just two versions of the experience of rural touring but three, with another emerging from the dialogue between the two. At least that’s the idea: you’ll be able to decide for yourself when the books are available on 16 July.