Virtual Realities, Part One
If you invite people to co-create a Virtual Reality opera no one has the first idea what you have in mind.
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‘Write this down’
It was the end of a long day. We’d run out of time and the guards needed to get us
Building Capabilities: Rethinking the social value of culture
Today will see the third performance of O Tempo (Somos Nós) , “Time (It’s Us), this time at the Gulbenkian Concert
Start by valuing what’s already there
Last night, Arlene Goldbard and I recorded the next episode of our blog, ‘A Culture of Possibility’. Our guest was
Reflecting on ‘El Cabaret de la Gata’
A long journey needs resting points It is a surprise, in my sixties, to find myself working on opera, as
‘Cabaret de la Gata’– Traction takes off
As the pandemic recedes—or perhaps becomes normalised—it is becoming hard to recall the strangeness of those lockdown months, and the
Life interrupted
Some personal news on my other site:
Between Beckett and Homer: excellence in co-creation
There are moments in every good community art project when you watch, suspended between wonder and terror, as it takes
‘Wish You Were Here’ – Meeting at last
Yesterday, eight months after we first saw each other in the blurry haze of Zoom, the writers with whom I
The difference between a professional and a non-professional artist – Part 2
What does ‘professional’ mean? Like many words, professional has changed its meaning over the course of history, adapting itself to society’s evolving
Regular Marvels 