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Regular Marvels

Regular Marvels

Community art

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    • François Matarasso
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Tag: ways of knowing

8 February 2014 Regular Marvels in Theory

RMT2 – Citation

Why do writers quote other writers? The reasons are complex, and do not preclude such weaknesses as showing off—no one

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5 January 2014 Regular Marvels in Theory

Richard Sennett

Philosophy Bites is a podcast that has been produced since 2007 by David Edmonds and Nigel Warburton. In the spirit

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19 November 2013 Regular marvels

Lying for truth

The Bush Theatre invited me to give a talk tonight in their RADAR Festival of new writing. It was a

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14 November 2013 From My Life

Making sense of music

Do you remember the first time you heard the true sound of your voice? Not the familiar sound inside your

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4 November 2013 Regular Marvels in Theory / Winter fires

Bringing one’s self into the lab

An ethnographer’s perspective on drawing A few weeks after the publication of Winter Fires, I was contacted by the editor

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5 July 2013 Regular Marvels in Theory

RMT1 – Power

Learning research For more than 10 years from 1994, I undertook a series of formal research projects into various aspects

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5 July 2013 Regular Marvels in Theory

Regular Marvels, in Theory (RMT)

One reason for creating Regular Marvels is to look for better ways of writing about people’s experience of art and culture.

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22 April 2013 Bread and Salt

Languages and realities

‘I’m used to thinking that stories in English are so much richer or more important than stories I hear in

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6 April 2013 A Wider Horizon / Bread and Salt / Regular marvels / Where we dream / Winter fires

Making sense

I got an email from a Dutch friend, partly in response to my post about waiting for feedback. Margreet wrote

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24 March 2013 Winter fires

A conversation about drawing

Each project in the ‘Regular Marvels’ series is a collaboration between me and an artist whose work I value. Although

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I’m a community artist, writer and researcher, working mostly in Europe. My latest book, 'A Restless Art', describes the history, theory and practice of participatory art.

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